Films with: Riggs, Marlon T.

Black is-- black ain't a personal journey through black identity /

American culture has stereotyped black Americans for centuries. Equally devastating, the late Marlon Riggs argued, have been the definitions of "blackness" African Americans impose upon one another which contain and reduce the black experience. In this film, Riggs meets a cross-section of African Americans grappling with the paradox of numerous, often contradictory definitions of blackness. He shows many who have felt uncomfortable and even silenced within the race because their complexion, class, sexuality, gender or speech has rendered them "not black enough," or conversely, "too black."

DVD 8988

Color adjustment

An analysis of the portrayal of African-Americans on American television from 1948-1988. Argues that earlier images were outright racist, and that later images have been overly biased towards prosperous blacks.

DVD 8431

Ethnic notions

"Takes viewers on a disturbing voyage through American history, tracing the evolution of the deeply rooted stereotypes that have fueled anti-Black prejudice"--Container. Covering more than one hundred years of United States history, traces the evolution of Black American caricatures and stereotypes that have fueled anti-black prejudice. Loyal Toms, carefree Sambos, faithful Mammies, grinning Coons, savage Brutes, and wide-eyed Pickaninnies roll across the screen in cartoons, feature films, popular songs, minstrel shows, advertisements, folklore, household artifacts, even children's rhymes. These dehumanizing caricatures permeated popular culture from the 1820s to the Civil Rights period and implanted themselves deep in the American psyche.

DVD 6826

Tongues untied

In an experimental amalgam of rap music, street poetry, documentary film, and dance, a gay African-American man expresses what it is like to be gay and black in the United States. The film intercuts footage of poet Essex Hemphill reciting his poetry, Riggs telling the story of his growing up, and scenes of men interacting and dancing. Although he deals with social ostracism and fear of AIDS, Riggs affirms the beauty and significance of the gay black man.

DVD 4737