Hours Today: 11/21/14
8 am - 4:30 pm | see all hours

Ask a Librarian

Fundamentals of Trademarks

November 18th, 2014

ptro

Wednesday, Nov. 19, 9:30-11
Media Projection Room, Bailey/Howe Library, UVM

Craig Morris, managing attorney for trademark educational outreach in the U.S. Patent and Trademark Office, will talk about the fundamentals of trademarks. Participants will learn how trademarks, copyrights, patents, domain names, and business name regulations differ; why it’s important for a new business to select a trademark that is both federally registrable and legally protectable; what can happen if a another trademark owner believes it has a stronger rights in a mark and issues a cease-and-desist letter; information on the USPTO federal registration process and how to avoid scam registration fees.

For more information, contact Scott Schaffer, scott.schaffer@uvm.edu, 802-656-2503.

Jurassic Park (1993) DVD 2180

November 11th, 2014

jurassicpark2

Steven Spielberg’s Jurassic Park (1993) is known as a classic of its era, and like most true classics, at least in my opinion, this movie has aged like bourbon. Rather than being the slick and new film it was in 1993, Jurassic Park is now a fine example of a smoky yet smooth experience for any evening.
As a quick summary, the film is about a team of scientists being brought of their own free will to a wildlife preserve off the coast of Costa Rica. The island has had its fauna reworked to include an entire ecosystem of, you guessed it, dinosaurs. From Triceratops to Velociraptors, the island’s purpose is to be a zoo with a view into the past. However, first it needs to be cleared by a team of scientists to legitimize the safety of the park. The cast stars Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough and Samuel L. Jackson.
The main draw nowadays with Jurassic Park is how beautifully filmed it is. It can even stand today with the best of any recent film, often even surpassing them. The dinosaurs look amazing for 1993, so there’s no need to worry about 1963 Godzilla-esque puppeteer work, these dinos still have bite. The score was beautifully crafted by none other than John Williams and the main theme brings a bubbling sense of adventure inside any viewer. In addition, the film is also extremely memorable for all of the right reasons, including its ability to be so easily empathized with. Who couldn’t forget the T-Rex scene feeding the Brontosaurus, or even how real Jeff Goldblum looks?
Jurassic Park stands out from your typical fantasy story due to the fact that the film isn’t seated in the presence of dinosaurs, but rather in the reactions of the people who are genuinely surprised to be seeing them. Unlike its so-so subsequent sequels, the original Jurassic Park nails the ‘giant monster’ subgenre (not that the dinosaurs are typical ‘monsters’) by keeping the spotlight on the very fearful actors. The name might be Jurassic Park, but the film focuses on the human element, and is a huge recommendation for anyone who is looking for the perfect film and a bowl of popcorn to pair it with.

 

Persistent Link

Vermont as Genius Loci: The Marshes and UVM

October 26th, 2014

marshes

David Lowenthal
Professor Emeritus of Geography, University College London

Wednesday, November 19, 2014, 6:00 p.m.
North Lounge, Billings Library

David Lowenthal, Professor Emeritus of Geography at University College London, will present “Vermont as Genius Loci: The Marshes and UVM.” Conservation pioneer George Perkins Marsh and his first cousin James Marsh, the fifth president of the University of Vermont, made major contributions to scholarly thought in the nineteenth century. As we celebrate the 150th  anniversary of the publication of George Perkins Marsh’s seminal work, Man and Nature, it is a fitting occasion to examine the legacy of the Marsh cousins and their impact on the University of Vermont.

David Lowenthal is the author of George Perkins Marsh: Prophet of Conservation (2000), The Past is a Foreign Country (1985), The Heritage Crusade and the Spoils of History (1996), and The Nature of Cultural Heritage and the Culture of National Heritage (2005).

The event is free and open to the public. Reception to follow immediately after the lecture. For more information, email uvmsc@uvm.edu or call 656-2138. Professor Lowenthal’s presentation is sponsored by the Provost’s Office, UVM Special Collections, the Rubenstein School of Environment and Natural Resources, the College of Arts and Sciences, the Humanities Center, and the Department of Geography.

Read about James Marsh and Vermont Transcendentalism, a movement which affected the curriculum at UVM and the development of modern higher education, in Samantha Harvey’s Transatlantic Transcendentalism.  Learn more about George Perkins Marsh at the George Perkins Marsh Online Research Center.

House (1977) – DVD 10694

October 22nd, 2014

house2.1

Nobuhiko Obayashi’s House (1977) is hard to explain in words. On its surface it appears to be a horror film, but at its heart it’s a slapstick comedy, a coming-of-age story, a tale about the bitterness of war, and an experimental avant-garde art film, all rolled into one.

House has been one of my all-time favorite films since I saw it during my senior year of high school, watching it in a dark basement with a friend, neither of us having any idea what we were getting into. That is probably the best way to experience House: in a dark corner of your home, knowing as little about what you’re getting into as possible, with someone there with you. Each of these is an important factor. The first keeps you isolated, so you can totally immerse yourself in the movie. The second preserves the many surprises that the film has in store. And the third, the most necessary, is so you have someone to turn to make sure you really did see what you think you saw.

A group of schoolgirls, Gorgeous, Fantasy, Prof, Melody, Kung Fu, Mac, and Sweet, take a trip to visit Gorgeous’ aunt for their summer vacation. But Gorgeous has an ulterior motive for suggesting the trip: her widower father is newly engaged and Gorgeous isn’t very happy about it. Things take a strange turn that even Gorgeous didn’t expect, however, as strange supernatural events start to take place, and her aunt’s home changes from a dream vacation to a haunted nightmare.
House is a film that refuses to let itself be restricted by traditional cinematic techniques, whether in framing, editing or sound design. It doesn’t try to act like it has some obligation to be realistic when it is already a fantastical story of ghosts and “witch cats”. And there isn’t an ounce of irony or self-mockery to be found. House is absolutely earnest about being totally crazy and that level of dedication and heart makes me love it more than any elaborate plot or incredible performance could. This is a movie that eschews doing things a specific way just because that’s how it’s traditionally done and instead tries as many new and different things as possible, creating something truly original and new. To quote Chuck Stephen’s essay on the film, it is “eye-poppingly demented, jaw-droppingly inventive”, a film “that must be seen to be believed, and then seen again to believe that you really did see what you think you saw.” Compared to anything of its time, or even of today, House is an utterly unique experience, and one I’d recommend to anyone looking for a good time.

Persistent Link

New Digital Collections Available

October 7th, 2014

The Center for Digital Initiatives launched two new collections this semester: University of Vermont Alumni Publications and Civil War Broadsides and Ephemera.

University of Vermont Alumni Publications

Since 1905, the University of Vermont has regularly published newsletters and magazines for its alumni. The alumni publications are a valuable source of information about the institution and UVM students, faculty, and staff. The publications document activities and accomplishments, curriculum developments, and campus expansion and building construction. They include feature articles on diverse topics, statistical and financial reports, interviews, photographs, and alumni news.

alumni_two

Civil War Broadsides and Ephemera

The Civil War Broadsides and Ephemera Collection contains items from the Wilbur Collection of Vermontiana that were printed and circulated from 1861 to 1865. Most of the items are related to the war, while a small number are related to Vermont’s efforts to organize and train the state militia after the war. The collection features proclamations, orders and announcements about the state’s military operations, including recruitment, enrollment, supplies, and equipment. It also includes announcements about the progress of the war and President Lincoln’s death. One of the most unusual items is a broadside alerting the public to the theft of U.S. Treasury notes and bonds stolen from a St. Albans, Vermont bank by Confederate raiders in October 1864. Additional items will be added to this collection in the future.

cw_two

 

Exhibit Tour on October 8

September 30th, 2014

Desire_cropped

Guided Tour of Geographies: New England Book Work Exhibit
Wednesday, October 8, 2014, 6:30-7:30 pm.
Meet in Special Collections, Bailey/Howe Library

On Wednesday, October 8, 2014 at 6:30, join exhibitors Deborah Howe and Stephanie Wolff for a guided tour of the exhibit Geographies: New England Book Work currently on display at UVM’s Bailey/Howe Library. They will discuss the creation of their own books in the show, methods of construction used by other exhibitors, and contemporary bookbinding and book arts. This exhibition contains a variety of artist books, bindings, and manuscript books on the theme “New England” created by members of the Guild of Book Workers’ New England Chapter.

Deborah Howe is the Collections Conservator and a Book Arts Instructor at Dartmouth College Library, and board member of the Morgan Conservatory in Cleveland, Ohio. Stephanie Wolff is an artist, hand bookbinder, and book conservator. She teaches book arts to students of all ages, including at Dartmouth College Library’s Book Arts Workshop.

The Guild of Book Workers, a national organization founded in 1906, brings together people interested in all the book arts, including bookbinding, book conservation, calligraphy, decorative paper, papermaking, and printing. For more information visit negbw.wordpress.com and www.guildofbookworkers.org.

Free and open to the public. For more information, email uvmsc@uvm.edu or call 656-2138.

Geographies: New England Book Work

September 8th, 2014

Geographies: New England Book Work
September 8-December 12, 2014
Bailey/Howe Library Lobby

OLYMPUS DIGITAL CAMERA

Geographies: New England Book Work presents new bookbinding and artist books by members of the Guild of Book Workers’ New England chapter. Fine and design bindings in leather, paper and cloth, alternative book structures, calligraphic manuscripts, and other works all connect to the show’s theme of “New England” interpreted by the 26 entrants.

The exhibit includes classical regional texts, such as Elizabeth Curran’s binding of Louisa May Alcott’s Little Women and Gerritt VanDerwerker’s binding of the Country of the Pointed Firs by Sarah Orne Jewett. More personal connections to the region appear in Sunsan Bonthron’s Stones, Anna McLain’s Place, and Laurie Whitehill Chong’s Snow Bound in September: A Re-Imagining.

A number of works deal with New England history from a variety of perspectives, including an 1874 copy of the Gazetteer of the State of Massachusetts bound by John Nove, and 28 Fort Square: What Charles Olson wrote on the casings of his apartment in Gloucester, Massachusetts, an artist book by Rutherford Witthus. Nancy Leavitt’s Plant Corridors, Penelope Hall’s Wildflowers around Tufts Pond, and Lindsley Rice’s Some Plants Endemic to New England all explore New England’s natural world. While some books are the traditional representation of the codex form, Bexx Caswell’s Mind Map and Graham Patten’s Call Me Trimtab may give viewers new ideas of what a book might look like.

Tides_cropped

The exhibition displays a wide range of work by New England Chapter members, who come from all the New England states and beyond. Entries from Vermont artists include Sweet New England, Stephanie Wolff’s tribute to New England confections such as Necco wafers, Charleston Chew, and maple sugar candy, and Susan Bonthron’s Stones, a poem about a daily walk accompanied by stones in the half-tumbled walls so common in the Vermont landscape.

The Guild of Book Workers, a national organization founded in 1906, brings together people interested in all the book arts, including bookbinding, book conservation, calligraphy, decorative papers, papermaking, and printing. Membership is open to anyone interested in the book: students, master bookbinders, artist bookmakers, calligraphers, printers, librarians, collectors, hobbyists and professionals. The New England Chapter, one of ten regional chapters with 180 members, organizes programs within the region, such as lectures, workshops and exhibitions.

Free and open to the public. There will be a gallery tour on October 8, 2014 at 6:30 pm. For more information, email uvmsc@uvm.edu or call 656-2138.

Printing Update

September 4th, 2014

Printing at Bailey/Howe is now at full capacity. There are four of them on the first floor.

The one near the reference desk is called Ref_BW_Catscratch or bw_catscratch_queue
Another is located behind the stand-up computers leading to the Cafe: is it called Reserve_BW_Catscratch or reserve_catscratch_queue
Two are located in the Cafe: Cafe_BW_Catscratch and Cafe_Color_Catscratch or cafebwcatscratch_queue color_catscratch_queue

If you need or are printing from your laptop, always check the library’s printing page for any updates Printing from laptops at Bailey/Howe. For windows laptops, a new update is available. The print package for Mac’s will be updated tomorrow, Wednesday, Sept. 17, 2014.

The Smithsonian Wants You!

August 21st, 2014

The Smithsonian Institute is looking for crowd-sourced volunteers to help make its online collections accessible via a massive transcription project. Get your nerd on for the public good!

Smithsonian Digital Volunteers who sign up at the projects’ Transcription Center can help decipher handwritten archival collections from bee specimens to field notes from an Arctic journey to a study of Native American vocabularies.

Diary of William Dall

1866 diary of 21 year old Arctic explorer William Dall.

Pamela Henson, a historian at the Smithsonian says, ““These volumes open a window on the past and allow those who lived in the past to speak directly to us today…The Smithsonian has relied on the kindness of strangers to assist with its work since the 1840s, when volunteer weather observers began to send climate data to our Meteorological Project. In some ways we are continuing that tradition.”

New books in Bailey/Howe

August 21st, 2014

These works can be found on our New Book shelf in Bailey/Howe, an ever-rotating sampling of things we’re adding to our collection. You can also review all our newest books online, and subscribe via RSS to receive alerts about acquisitions, by discipline.

The Gay Essay cover

The gay essay by Anthony Friedkin ; [edited by] Julian Cox

“For more than forty years, American photographer Anthony Friedkin (b. 1949), creating full-frame black-and-white images, has documented people, cities, and landscapes primarily in his home state of California. During the culturally tumultuous years of 1969 and 1970, Friedkin made a series of photographs that together offer an eloquent and expressive visual chronicle of the gay communities of Los Angeles and San Francisco at the time. This is the first book to explore the series, titled The Gay Essay, in depth, within the broader historical context that gave rise to it.” –Publishers information

Last Stories and Other Stories cover

Last stories and other stories by William T. Vollmann

“Creatively sourced, boldly imagined, and incandescently written supernatural stories. . .Throughout this ingeniously fabulist, erotic, musing, and satirical treasury, Vollmann gives monstrous and alluring form to the forces that haunt us, from desire and love to regret and loss, as he contemplates with ardor, sorrow, bemusement, and wonder the beauty and terror of life and death and the vast mystery of the hereafter.” –ALA Booklist

Cambrian Ocean World cover

Cambrian ocean world : ancient sea life of North America by John Foster

“This volume, aimed at the general reader, presents life and times of the amazing animals that inhabited Earth more than 500 million years ago. The Cambrian Period was a critical time in Earth’s history. During this immense span of time nearly every modern group of animals appeared…The evidence of this Cambrian ‘explosion’ is preserved in rocks all over the world, including North America, where the seemingly strange animals of the period are preserved in exquisite detail in deposits such as the Burgess Shale in British Columbia. Cambrian Ocean World tells the story of what is, for us, the most important period in our planet’s long history.” –Publisher’s information