The InterLibrary Loan Office at Bailey/Howe will soon be changing the way patrons sign in to their ILL accounts. Starting the weekend of July 3, changes will be made to the system; it will be shut down for part of the weekend and possibly on July 6-7, so please take that into account as you’re doing your research. Thank you for your patience as we make this change.
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Bicycle racers at a fair in White River Junction, Vermont, August 1895.
Exhibit. The current exhibit in the Bailey/Howe Library lobby looks at the rise of bicycling in America from 1870 to 1920. Newspapers contributed to the nation’s bicycle mania with articles, advertisements, and announcements for cycling events. Stories about health effects (good and bad), adventurous cyclists, cycling etiquette, bicycles and the modern woman, and the need for better roads were common. Advertisements promoted bicycle sales and repair shops, touring opportunities, and sporting events.
“Cycling through the News” was curated by librarians Erenst Anip, Jeffrey Marshall, and Karyn Norwood, who staff the Vermont Digital Newspaper Project. They searched Chronicling America, the national newspaper database of the Library of Congress, to find an amazing collection of materials on all aspects of the bicycling phenomenon that swept the country. The exhibit includes period photographs, advertising and brochures, as well as artifacts. Glenn Eames and Burlington’s Old Spokes Home generously loaned lamps, bells, a flask, a brass horn and other items.
The exhibit is free and open to the public.
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The Babadook is a 2014 horror film directed by Jennifer Kent. The film revolves around a mother and her son and the difficulties surrounding their lives. The mother, Amelia, is forced to raise her son, Samuel, on her own after a devastating accident takes the life of her husband. The film depicts the struggles of raising a child on your own as well as the physical and mental repercussions that it many times has. It also details the overwhelming impact that the death of a parent may have on a young child.
From the beginning, the film shows the struggles that Amelia faces on a day to day basis. She works a dead end job while taking care of Samuel who is very troubled. Samuel is consistently acting out in school and getting himself in trouble. One night, Amelia decides to read Samuel a bed time story. The book that Samuel picks is called The Babadook. Amelia does not recognize this book but decides to read it to him anyway. The book turns out to be a disturbing tale of an entity that you cannot get rid of. “If it’s in a word, or if it’s in a look you can’t get rid of the Babadook.”
As the film progresses, the presence of the Babadook becomes more apparent. What starts seemingly as Samuel’s paranoia eventually manifests itself into visual and auditory encounters with the entity. Unexplained knocks, sounds, and sightings of the apparition add to the feeling of dread that this film brings about. Even more disturbing is the radical transformation that takes place within Amelia. The presence of the Babadook changes the once patient mother to a mean and aggressive shell of the parent she once was.
The Babadook is a testament to the power that horror cinema can hold. Many times, horror films are not taken seriously because of the many films that have not worked. However, The Babadook does work. It works because it exposes the trauma that can be inflicted through a death within the family. The Babadook is a representation of anguish, sorrow, anger, and all the other emotions that attach themselves to those involved in such a tragedy. The Babadook, just like these negative emotions, starts to take a stronger hold on everything around you when it is not dealt with. The abundance of metaphors and the overwhelming sense of dread add to the effectiveness of this film. This film is one of my favorite films because of its ability to draw emotion from the viewer. It is also a substantial achievement because it is Jennifer Kent’s debut film. A debut film receiving substantial praise is not common in the horror industry. It is even more uncommon for a female director who is producing a film in an industry that is mainly male driven. I highly recommend this movie to anybody who is a fan of the genre or who wants to see one of the top films that the genre has to offer.
UVM Library Professor Trina Magi served as editor of the recently published American Library Association’sIntellectual Freedom Manual, ninth edition. This important reference work has been published since 1974 and serves as the library profession’s definitive guide to policy and practice in promoting and defending intellectual freedom in libraries. Intellectual freedom—the right of every individual to seek and receive information from all points of view without restriction—is one of the core values of the library profession, as expressed in the Library Bill of Rights.
Professor Magi revised and reorganized the ninth edition of the book to be more user-friendly, arranging content in 9 topical chapters covering access, censorship, children and youth, collections, copyright, law enforcement visits, meeting rooms and exhibit spaces, privacy, and workplace speech. The book includes practical checklists and guidelines, essays about relevant library law, and policy statements of the American Library Association. A copy of the book is shelved in the Bailey/Howe Library reference collection at call number Z711.4.I57 2015.
Professor Magi is a reference and instruction librarian at Bailey/Howe. She has chaired state and regional intellectual freedom committees, served on the ALA Intellectual Freedom Committee, and published a number of articles on privacy. She has won numerous awards for her intellectual freedom advocacy and led the successful effort to create a Vermont law protecting the privacy of library users.
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Poetry in the Archives: An Open Mic
A National Poetry Month Event
April 23, 2015, 5 pm
Special Collections Reading Room, Bailey/Howe Library
Students will read original poetry, and they will also read selections by poets featured in Special Collections, including Hayden Carruth, David Budbill, Galway Kinnell, Adrienne Rich and many others. If you are a student and would like to read, please contact firstname.lastname@example.org or email@example.com.
Free and open to the public.
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Multimedia Resources #UVM student assistant Matt Lipke says:Tickets for the premiere of my film, Elixir, are now on sale. We are encouraging as much pre-sale as possible. The event will likely sell out. If we sell out far out in advance, we can organize additional screenings.
The film is premiering May 1st at Roxy Cinemas in downtown Burlington, VT. We are partnering with Oxfam America and donating proceeds from the event to one of their programs (Wash) that bring clean, freshwater to those in need.
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Presentation by Janet Whatley Tuesday, February 24, 2015, 5:00pm Special Collections Reading Room, Bailey/Howe Library
How did news of the Americas reach Europe, and how was it received? How did Europeans try to understand peoples and societies that they had never encountered before?
Professor Whatley will talk about rare sixteenth-century editions of important books that informed and shaped the European imagination that are held by UVM Special Collections. These include works of the natural history and ethnography of Brazil and the diverse and conflicting narratives of the Spanish Conquest. Through these books, one can learn how Renaissance writers of various temperaments and religious allegiances recounted their experiences and interpreted the significance of the New World discoveries. Some of the books will be on display.